Mélanie Verville has a Master's in theatre at l'Université du Québec a Montréal. During her studies, she engaged with the question of alterity as it is experienced through art, the body, myth and symbolic theatre. Her major directorial debut, A Ship to Namuh, presented at the Studio-theatre Alfred Laliberté (2005), was the Parabolik Guerilla's first full-scale play, and was inspired by this artistic approach. Parallel to her activities with the collective, Mélanie has created and participated in two performances Je suis comme je suis inspired by the poet Jacques Prévert (2002), and La Famille Popov (2003), both presented at the Productions Nathalie Derome studios, in the context of Collimateur performance series, which she helped organize. She played in Vous qui habitez le temps by Valère Novarina, directed by Amélie Dumoulin at the Studio Claude-Gauvreau (2004). More recently, she has also worked with the collective La Gran Marcha de los Muñecones in Lima, Peru, collaborating in the production of two theatrical events: Señor Agua and El carrusel de la abundancia, as well as giving Butoh workshops to the actors of the group.

Mélanie has extensive experience in various traditions and styles of physical theatre: interdisciplinary performance with Nathalie Derome (2002); Japanese theatre (Kabuki, modern Nô, Butoh) with Martine Beaulne (2003); butoh with Geneviève Martin (2003 et 2004); the actor and the object with François Chat (2004); butoh with Martine Viale (2005); butoh with the Japanese dancer Kinya «Zulu» Tsuruyama (Fisherman's Art Factory YAN-SHU) (2006-2007); street theater with La Gran Marcha de los Muñecones (Peru, summer 2006); and voice workshops with Miguel Almeyda Morales (2006).

Yannick Ross has studied visual arts at l'Université du Québec a Montréal. His fields of interest are painting, performance, the conception and creation of immersive environments, sets, costumes, and props for the theatre. As painter, he had his first solo show PlastikoSpiritoKitsch (2000) at the Musée de la Côte-Nord, in Sept-Îles. He participated with Constanza Camelo in the performances Chutes (2000-01) in various spaces of artistic diffusion in Montréal, as well at the Lieu in Québec city, in the context of the Biennale des couvertes (2002). For the Sync! (2002) project of Alexander Wilson at the SAT, Yannick created short video and performances. He has also participated in the performance Famille Popov of Mélanie Verville presented in the Collimateur series (2003). With Kathleen Wilson he has co-directed Requiem (2003), Alliance et naissance (2004) at the "Bunker", Parabolik Guerilla's space for artistic exploration, and Encore la mort! (2005) at the Réserve faunique de Mastigouche. He has participated in Butoh workshops with Geneviève Martin (2004), as well as Japanese Butoh dancer Kinya «Zulu» Tsuruyama (Fisherman's Art Factory YAN-SHU) (2006-2007).

Kathleen Wilson is at once actress, sociologists, and art theoretician. She is currently in the final year of her master's thesis in sociology at Concordia University, tackling questions of the imaginary and creativity in aesthetic theory. She has participated in the series of performances Chutes (2000-01) with Constanza Camelo, as well as Alexander Wilson's Sync! project. Kathleen has created and played in the theatrical performances Requiem (2003), Alliance et naissance (2004), and Encore la mort! (2005) in collaboration with Yannick Ross; Grosse Nasen (2005) with Axel Mangelsdorf, and Nostalgia (shadow theatre, 2005) with Mélanie Verville, all presented in the "Bunker", space for artistic exploration. She has followed a number of Butoh workshops, namely with Martine Viale (2005-2006); Tadashi Endo at the Potsdam Fabrik, Berlin (2006); Minako Seki at the Tanz Fabrik, Berlin (2006); and Imre Thronmann at the Theatrehaus Mitte, Berlin (2006).